Maze Runner 3 Movie
The Maze Runner (2014) 2649 Plot: Thomas is deposited in a community of boys after his memory is erased, soon learning they're all trapped in a maze that will require him to join forces with fellow 'runners' for a shot at escape.
Watch The Maze Runner - 2017 Free movie The Maze Runner - 2017 with English Subtitles. Watch The Maze Runner - 2017 in HD quality online for free, putlocker The Maze Runner - 2017, 123movies,xmovies8,fmovies The Maze Runner - 2017.Free watching The Maze Runner - 2017, download The Maze Runner - 2017, watch The Maze Runner - 2017 with HD streaming. Ever since the first Maze Runner movie premiered in 2014, that's basically all Dylan O'Brien's character has done. (It's in the name, after all.) But Maze Runner: The Death Cure, the latest.
The thing about zombies is that they’re hard to kill. Sure, you shoot ‘em in the head and that’s supposed to do the trick. But when they’re rushing and gnashing and flailing at you—as modern-day zombies tend to do—it can be hard to concentrate and get a good shot.
This is especially true when they’re coming at you en masse across a desolate wasteland, the kind you find in so many movies based on Young Adult novels. Such is the sensation of watching “Maze Runner: The Death Cure,” the third and final film in the series based on ’s novels. It just won’t end. For better and for worse, it’s an overwhelming experience. And just when you think it’s over, there’s another coda, and then another. The music will swell to a crescendo, signaling our need to experience peak emotions and planned catharsis, and then there are more loose ends to be tied up, more overly explanatory narration to endure. I mean, I get it.
It takes a long time to find a death cure. For a while, though, ’s film moves really well.
Maze Runner 3 Movie 123
He’s directed all three installments in the franchise—including 2014’s “” and the 2015 follow-up “The Maze Runner: The Scorch Trials”—and what separates his films from the overcrowded field of teen dystopian dramas is his visceral sense of space and energy. Ball’s action sequences have a tangible, accessible quality about them, which is especially true in his doozy of an opening sequence: a 10-minute car chase/train robbery across the desert that’s got a grit, intensity and rough-hewn aesthetic reminiscent of “.” And as is the case in all the “Maze Runner” movies—especially the original—the sound design is powerful and immersive. You certainly would never want to spend any time in the Glade, or the Scorch, or any of the adjacent, post-apocalyptic hellholes, but Ball’s films make you feel as if you’ve done just that. Working from a script by returning writer T.S.
Sejarah tingkatan 5 bab 8. Nowlin, he drops us right into the action—there’s no “Previously on `The Maze Runner ’”—so if you’ve forgotten this place and these characters, you may feel a little lost. Still, there’s no time to worry about that. Our hero, the obligatory YA Chosen One, Thomas (Dylan O’Brien), and his crew must free their friends from the clutches of the bad guys at WCKD.
(With an acronym like that, what else could they be?) A team of scientists led by the coolly minimalist Ava Paige and a team of law enforcement agents led by the relentlessly evil Janson maintain control of the imposing Last City. (No, really, that’s what it’s called.) Simultaneously, they’re still rounding up all the remaining children and performing experiments on them to see who is immune and can provide a serum to cure this decimated world of the zombie plague. The man at the center, O’Brien, remains hardworking and blandly handsome, but at least he’s got compelling figures surrounding him to help him sneak inside and burn it all down. They’re mostly character actors with intriguing screen presences and captivating faces:, Thomas Brodie-Sangster, and an almost unrecognizable.
They are overqualified for this noisy nonsense. But they also bring an effortless multiculturalism to these movies that I’ve always appreciated, and they all get a moment to shine. That’s especially true when it comes to the strong women who play crucial roles in the “Maze Runner” universe, from the villainous Clarkson to the virtuous Salazar to as Thomas’ would-be love interest, whose inner conflict leaves her facing tough decisions somewhere in the middle.
None of these characters or their stories is nearly as engaging as the movie’s many gonzo action sequences, though. Besides the one that opens the film with a bang, there’s a thrilling one toward the end involving a crane, a bus and a bunch of screaming kids that’s begging to be turned into a theme-park ride. In between are massive shootouts, elaborate hand-to-hand combat and death-defying leaps—both physically and of faith. You may forget them all afterward in the blur of teen angst and annihilation that so many of these types of movies provide, but they’re fun while they last.
If only they didn’t last so long.
Awakening in an elevator, remembering nothing of his past, Thomas emerges into a world of about thirty teenage boys, all without past memories, who have learned to survive under their own set of rules in a completely enclosed environment, subsisting on their own agriculture and supplies. With a new boy arriving every thirty days, the group has been in 'The Glade' for three years, trying to find a way to escape through the Maze that surrounds their living space (patrolled by cyborg monsters named 'Grievers'). They have begun to give up hope when a comatose girl arrives with a strange note, and their world begins to change with the boys dividing into two factions: those willing to risk their lives to escape and those wanting to hang onto what they've got and survive. Although The Maze Runner story isn't one of the brilliants I have seen, it is interesting enough to satisfy my interest. Opening scene is intriguing and wakes your interest to wait to see what to come.
Story itself is many times seen in various movies, but citation to such movies as Cube and TV- shows like Lost keeps you interest awake about what to come. Biggest problem is the movie casting. Thomas (Dylan O'Brien) is interesting character enough, but Will Boultier as villain of story is too lame personality. And somehow I don't understand the meaning of Teresa's (Kaya Scolecario) character who seem to pointless for the whole story. Maybe her role for the story grows and clears at the forthcoming movies.
Sequel is coming next fall. After all great scenery combined with intensive storytelling is fresh enough to bring this movie a little bit more interesting, than most of those Hollywood's post-apocalyptic serial productions these days. I stay wait sequel with great interest.